Clannad: Episode 14

Theory of Everything

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Well. Let me just start this off by saying that I’m fairly glad the Kotomi storyline is now over. I just don’t care. Fuko’s arc was rife with emotional dirty tricks, but they worked and the wedding episode was both cute and teary. The Kotomi story has reminded me of every reason why I find these shows so repetitive.

We begin with Tomoya continuing to work in the garden while flashbacks bring us back to the story of her parents dying, her godfather searching for a paper, and her subsequent burning of (what she thought was) said paper.

Tomoya apparently stayed away from her birthday party as a kid because he, in all his shaggy lets-help-people naïveté, invited his “real” friends and they made fun of him — not only for trying to get them to go to a stranger’s house, but for hanging out with icky cootie-infested girls. Bummer I called this incorrectly last week, but that still doesn’t make Clannad vastly different from Kanon, and who knows, I might still be right about great silly tragedy in his past.

Regardless — Who had the last laugh, now that puberty hit (for the rest of them, not so much Tomoya) and he almost exclusively hangs out with girls? He should have told them she was rich. Anyway, young Tomoya regrets not going and heads to her house to apologize, then finds the small fire that’s about to become huge and engulf the sobbing Kotomi, who’s already regretting what she’s done.

Well, I mowed the grass, so I don’t see what could go wrong.

In the here and now, Tomoya finds himself falling asleep after a couple all-night gardening jams, only to be awakened by Kotomi, who has finally left her house. She clearly digs him — not in a pathetic way like Nagisa, but in the way only she, a girl smart enough to realize that he’s a wasted effort, possibly could. That no-hope, resigned to big-eyed sadness, total moe kind of crush. And there’s the thematic rub: she always waited for Tomoya-kun to come back (if there was any feasible way I could write that in the mocking tone I hear in my head, I totally would). It’s Yuichi from Kanon all freaking over again. What makes Tomoya, the perpetually dopey onii-chan with his old-school Timex Ironman watch, so appealing? Probably the audience projecting onto him. Your inability to make advances on girls will one day pay off in the form of a doting harem, my delusional otaku brethren!

I digress. Without remorse.

This coupon not good for actual dangos or violins

The birthday gift-giving from Nagisa and the twins goes well, with a lame hand-drawn “gift certificate” (you know the type) subbing in for the broken violin until it’s fixed, and an all-too-perfect visit from her godfather. What does he have? A suitcase, presumably with the paper in it. Or not?

If you haven’t seen episode 14, stop. Go bootleg it, and come back to me.

Back? How about that fucking internet, man? They got it all.

I have to say, I find the contents of the suitcase to be the unspoken tragedy of this whole storyline. It would make everything worthwhile if I thought for more than half a second that it was intentional. See, she didn’t want the fucking bear. She just said she did because she thought that’s what she was supposed to say. So her father’s dying wish, and the unlikely passing of the suitcase through Clannad’s entire godforsaken earth culminating (even more unlikely) on her birthday, is a sham. That’s really sad to me, far sadder than any of the cutey-love-fest Fuko arc.

If Kotomi were one of the intarnet's famed LOLcats, she would note that irony has a flavor. A bitter flavor.

Is that why she cried when she saw the bear? The horrific realization that she had provided her beloved parents with a baseless and false sense of accomplishment at their final moment on this mortal coil?

Or is it me being cynical, and she’s crying for the more obvious happy-sad anime reasons? I try to leave my cynicism at the door with Clannad, and I didn’t actually have a cynical reaction, but between Tomoya’s endless love of helping people and his seeming dearth of actual feelings for people themselves, this thing’s wearing me out.

But, I’ll keep coming back. Because as weak as this story arc seemed to me, it only means that one of these should be better.

What’s Next?

I was placing my chips on tough Tomoyo, whose name is just plain too close to the protagonist’s for my taste. But the next episode preview seemed to lean in Nagisa’s direction. That’s good, I guess. She needs a little more exposition if we’re going to keep following her around until the end, which I imagine we will. But I would especially like to see what the twins’ major malfunction is — especially Kyou, who seems to have her shit together so well she must be burying something.

About the Subs

One thing I have no complaints about, still, is the technical merit of this show, except maybe for Kyoto’s glaring lack of ability with feet.

But something technical that really should get some airtime, essential to our current Western experience, is the fansubbing. My hat is totally off to Static Subs and Eclipse Productions, whose subs I have been watching. You can take fansubs for granted sometimes, but here’s the deal: These cats are throwing this stuff up not only ridiculously fast (almost immediately after the show’s Japanese airing), but they are accurate and enjoyable to watch. As the week goes on, more subs start appearing online and this week I actually took the time to watch a couple. Shop around, as it were. And these guys, surprising as it is with their speed, are just plain great.

Don’t expect localization, and don’t expect ADV’s inevitable North American DVD release in the future to resemble it in any way. It’s very literal, and considering they are providing a service rather than actually licensing and releasing stuff, I think it’s their responsibility not to project interpretation onto the script. So, thanks to you — and really, to all the fansubbers out there. They do it for the love, and they do a great job.

Until next week, uh… keep it moe!

Clannad: Episode 13

Garden of Memories

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For the lowdown on Clannad and my masochistic following of it, I provide this overview link.

We’re currently wallowing in the late-middle of Kotomi the teenage genius’s storyline. Her birthday is coming, and while Fuku the coma child mysteriously appeared at an action claw machine, she failed to win Kotomi the giant stuffed aardvark from Kanon. Obviously a major disappointment — Kotomi is clearly the equivalent of Kanon’s Mai, who is one up on her for having actually received that aardvark in a bloody demonic showdown. If you haven’t seen Kanon, trust me, it sounds more interesting than it was, regardless of the inclusion of a giant stuffed aardvark.

Story

The flashbacks to Kotomi’s childhood continue, leading to her super-genius parents dying in either a plane crash or a time-travel accident made to look like a plane crash or something to that effect. Turns out her only friend as a kid was Tomoya, and he didn’t even remember that.

Man. This is where Key’s male characters’ detachment always gets them: they never remember their childhood, making reality a miracle parcel of tragedy tied up with the string of repression, just waiting to be opened around say episode 23.

But that’s not all he did wrong: after her parents died, Kotomi was forced to spend her birthday alone thanks to Tomoya’s conspicuous absence. I’m guessing we’re not going to learn what kept him until we learn what that catastrophe in his past might have been.

To fix things in the present, where Kotomi is so depressed with her life she’s fleeing to the USA to sell herself into prostitution, Tomoya launches a genius plan to keep her suffering in Japan: he’s doing her gardening. Fucking brilliant, kiddo. Nagisa and the twins come up with their own plan to give her the violin from Episode 11’s ear-shattering recital, but are run over by a motorcycle in the process, which breaks the thing into three pieces and one more-than-obvious symbol of Kotomi’s jacked-up life. I swear I only made up one part of that paragraph.

Technical Breakdown

Not much to say, the quality has been maintained. Kyoto continues to prove that they are the ultimate new-school bad-asses in TV anime, even if they are currently on my shit list for removing most of the staff from series two of Haruhi Suzumiya in order to churn out this drivel.

Clannad seems to have the biggest heads and the biggest eyes in the whole of the medium, and seriously the shortest school skirts ever to deny fanservice in history (not that I’m really complaining, it just defies physics). However, after going away for a while, I find the character design to be a little anonymous and overly reliant on hairdos.

What We’ve Learned

We now know that Tomoya is more like Kanon’s Yuuichi than previously thought, and that something terrible must lurk in his past. We know that Kotomi could actually play the violin when she was little, which is why I say that all comic relief in this show (like her horrible recital) is really just the harbinger of more pain.


I for one have also realized that Nagisa is far more integral to the good Samaritan process than most people are going to give her credit for, especially Tomoya. He thinks he can and should do everything for everyone on his own, but he can’t. And ironically, it’s her painfully pathetic and unrequited romantic feelings for him that enable him to proceed on his Life’s Platonic Purpose. I think Nagisa is the one who needs to grow balls in this series because obviously Tomoya has none.

So what’s next: Can Tomoya fix the garden in time? Will the violin be repaired? Can a birthday party keep Kotomi in Japan? And most importantly, can we resolve this wholly uninteresting storyline quickly and move on?

My Clannad blogging project begins

[Clannad has a landing page now]

As much as I make fun, I should clarify that I do indeed enjoy the cavalcade-of-tragedy series that come from Key/Visual Art’s and Kyoto Animation. Air especially was great, and if you can stomach all that syrupy sadness, Kanon isn’t bad either. But as much as it’s fascinating to witness their ability to manipulate you into an emotional reaction, it’s also infuriating at times — especially when it works.

I place Kanon neatly in the emotional pornography genre: like those single-syllable-titled rags you see at the store when you go to buy booze, Kanon exists to create a particular response and then makes you feel dirty after you’ve achieved said response. And unfortunately, unlike Juggs, Kanon only works once.

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So what does this have to do with Clannad? Pretty much everything. After being so transparently manipulated twice, you’d be hard pressed to come into a third Key/Kyoto “moe soap opera” series without some sort of skepticism and emotional hardening against the coming assault of tragedy, even if you want to be moved by it.

It didn’t help that Clannad’s first story arc involved the exact same coma trick that helped resolve Kanon’s final arc — and combined it with the drawn-out inevitability of the Makoto storyline.


So Clannad had a hard row to hoe to begin with, and deservedly so. You want me to tear up like a little girl again? Work for it, bitches.

However, Clannad has tried to assert its own identity by being a more light-hearted counterpart to Kanon that eases up on the never-ending pain, and even some later episodes have been purely funny rather than tragic.

To bring this boat up to speed, I’ll attempt to sum up episodes 1-12: Tomoya Okazaki is a lovable delinquent-slacker, and his current mission in life is to help the ultra-moe Nagisa restart the theater club in their final year of high school. Well, that’s really about all you need to know.

Nagisa’s parents provide great comic relief, but if we again follow the pattern, most comic relief will become hollow laughter once we discover the rape or cancer or grizzly attack that caused them to be that way.

The Tomoya-Nagisa pairing provides a bit more of a tag-team effect in the established methodology of helping one fucked-up girl at a time, and that would provide welcome relief if Tomoya didn’t basically ignore Nagisa in order to achieve his happy-bunny goals. A real girl would understandably become insanely jealous and feel completely unimportant, but Nagisa obviously has problems. Well. Everyone in these shows has problems.

Moving on to the not-quite-real-time blog of damnation…