Twelve Thingies: The marathon

Part of the 12 Moments in Anime 2009, which would be a ripoff at any bakery.

This is a short one, because honestly I don’t feel much like writing about Honey & Clover right now. I already did it, (warning: same pancake) and though I feel like there’s more to say, I’m not sure how to say it because H&C kind of flew by in my brain.

Why?

Because it’s the first thing I “marathoned” in a really long time. The marathon is the catnip of the anime fan, and the bane of the ones with real lives and jobs. It’s what happens when you are so sucked into a series that you’re preoccupied by its characters during work or school. You’re distant in conversation with real human beings because you don’t care what happens to them, you care what happens to HAGU DAMMIT. And you have to bear witness to the constant fight between your unstoppable desire to keep going and your sad knowledge that you’re bringing the end on sooner.

In this case, bring it on because it was worth getting to the end again (as evidenced by how many re-watches a mere mention could trigger). So the moment in this case…? It’s realizing that I was in the thick of a marathon and I wasn’t going to stop until it was over.

Learning to let go from Honey & Clover

I’m not sure what first gave me the idea to watch it, but it became apparent almost immediately that it was a good idea. Everyone I talked to seemed suddenly seized by a compulsion to rewatch at least some episodes (in ghostlightning’s case, the whole damn thing in 2 days). No one seemed to have so much as a caveat for me, let alone actual misgivings.

mmm pancakes

I’m not going to go too much into why it’s made of awesome and win — many have seen it, plenty of blogs praise it even if they don’t agree on the methods, and most people already know lots about JC Staff’s occasionally brilliant skills of execution that can make something as rote as Hatsukoi Limited into a winner and something well written into animated gold. The true strength of Honey & Clover is not its humor, underplayed dramatic moments, or unwillingness to insultingly explain key points to you out loud; it’s the writing, plain and simple. As a fan you’ve probably spent at least a little time justifying why anime isn’t kids’ stuff, but you’re often repaid by archetyped characters bouncing around a high school and crying a lot. Honey & Clover is your true reward. Even the theme that I most wanted to talk about is a little more “mature” than what you normally see: That’s letting go, one of the series’ many central threads that runs throughout. I’m picking ONE because apparently I can write almost 2,000 words about it, so to take on the whole thing would be extreme fucking insanity.

Something atypical for me: I try to leave them out normally, but there will probably be big spoilers.

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