Shameful Otaku Secret!

Is there proof in Gonzo’s pudding?

The experiment that animation studio Gonzo underwent in realtime, worldwide distribution of quick-subbed anime along with their channels — YouTube, Bost TV, and CrunchyRoll — was innovative, timely and all around a great idea. Maybe it’s not totally about “beating” the modern fansubbers, but it certainly didn’t hurt to take advantage of their primary tools (digital formats and online distribution) to basically make history. Thing is, the experiment is doomed to fail if you’re missing one key part: the show.

So was Druaga the right choice?

Background & Story

The Tower of Druaga is an old-as-the-hills RPG video game that I’ve never played, but that had to be a strike against the anime to begin with. I can’t think of a good fantasy-RPG-turned-anime, although there probably is one out there somewhere. Anyone? In the story, every year a bunch of treasure-seekers form parties in order to climb to the top of the titular Tower and stop a horde of monsters from plaguing humanity. Nothing too revolutionary.

So the story ingredients — focus on small-fry would-be hero, develop a rag-tag party, and defeat the big bad guy while beating smaller bad guys along the way — form more of a white bread than tasty cake. Pepper it with a romantic subtext (if not really a romantic sub plot), some familial issues, and a couple twists, you’ve got the makings for a potentially fun but not exactly engrossing series. Fortunately, Gonzo and co. didn’t stop there.

Despite being based on a typical foundation, Druaga seemed to refuse to be normal. The first episode was a total joke, more about parodying its genre of games than establishing a story (although it did get that done too). The joke was a little weird and out-of-context to start a series with, and it wasn’t 100% funny either. But if you stuck with it you got the chance to see more and more game reference and other weird parodiess: 8-bit sequences, cryptic joystick movements (back back left right left right), and hint books.

While the overall story arc may not be anything special, the way the writers weave seriousness, cute charm, and all-out parody with one another is, with few exceptions, consistently entertaining. A problem with consistency is one of the calling cards of any good Gonzo-bashing, so ease off. Besides, Gonzo bashing isn’t even cool anymore. It’s been cool for quite a while now to act indignant while defending Gonzo, haven’t you heard? I can’t really feel strongly enough to get indignant though, sorry.

I’m not sure I was totally prepared for the end. I guess that’s another bump for the skillful writing. Nothing about the end came out of the blue, as we got plenty of foreshadowing and hinting, but there was a real strength in execution that put viewers in the place of the dumbfounded characters. Not to mention, a small part of the OP that I called the best of the season finally made its way into story, but turned completely on its head. I don’t want to spoil, but suffice to say: the end is not really the end. A second series is promoted as coming in 2009, and that won’t come soon enough.

Animation & Music

Like I said, the OP was one of the best of the season for its fun-turning-to-dramatic tune, mysterious alternate-reality premise, and really clever way of displaying the credits. Incidental music is a little more typical of the genre though it’s sprinkled with game sounds. It’s nothing to write home about but enhances the show well enough and never gets in the way.

Some character designs are a little samey for my tastes, but they’re appealing. The main characters all have decent personality in their designs, especially cute female lead Kaaya and disgraced aristocrat magician Melt, with his perpetual stubble and pre-morning-coffee attitude. Just like the writing, the animation was very consistent. Then again, a 12-episode series really shouldn’t have any consistency problems. The one unfortunate thing is the computer-animated big boss monster in the final few episodes. Boy is it awful. The other show in Gonzo’s experiment, Blassreiter, suffers from the same wretched CG. It’s just terrible. I don’t know if I can say enough bad stuff about it. For a company that made some decent early forays into CG, Gonzo has not progressed much since. But overall, this is highly capable work from the studio, on par with some of their better stuff like Full Metal Panic!

The verdict

I actually plan on writing a whole post about the Druaga experience, so I don’t want to get into the Crunchyroll nonsense yet, I just want to talk about the show — because like I said, the experience and thus the experiment don’t matter for shit unless the show is decent. I’d have to say I’m impressed. For a series that started with a joke, it ended with real maturity (and a whopping cliffhanger). Gonzo haters looking for stuff to pick on will find it, I’m sure. Look no further than the CG. But Druaga stands on its own very well, and capably next to the studio’s successes like FMP! and Speed Grapher. Besides, if you take the YouTube route, you really have nothing to lose by checking it out. That goes for non-fans of fantasy, as well.

Bottom line, The Tower of Druaga will never be top-shelf anime, but it’s entertaining enough to recommend with few reservations.

Wolf and Swirling Conspiracy

[Spicy Info here as always]

After a bit of a delay in translation for episode 9, #10 came out soon on its heels, complete with my own delay in viewing. And as I suspected, things really started moving this week. Mind you, not in a good direction for our heroes, but good for story.

Recap of Doom

Turns out Rubinhagen’s yearly romp to the north to kill heathens has been cancelled this year (hence the mercenaries running rampant on the roads), and the value of armor has plummeted. Uh oh. Last week’s ingenious discovery of the Polson merchant’s attempt to screw Lawrence netted him twice the value of armor than he normally would have gotten — and that means he’s now at twice the debt since no one wants to buy.

The merchant guild can’t help him, so he goes to all his connections, who turn him away without a second thought. Now he’s starting to get worried, and we end with him shoving Horo away in frustration, and she goes back to their inn without him.

Now he has no business connections to help him, he’s on shaky ground with his traveling partner, and he has two days to come up with repayment before they shave him, pull out his teeth, and send him to his death in some horrific mines somewhere.

What We’ve Learned

Lawrence is obviously not flawless in his skills, and everyone who lambasted him for not diversifying last week is vindicated. He put all his eggs in the armor basket and now he’s double-screwed. Seems the crooked Polson merchant most likely knew about the armor crash, and ended up jacking Lawrence in the end anyway.

On the Lawrence and Horo front, we swapped out the clever teasing for some sincere cuteness this week, and I found it really fun. Of course, that was before everything went to shit.

Thoughts

The title of next week’s episode implies a crazy scheme — probably Horo’s — that will work if all goes well, but Lawrence is going to have to apologize bigtime. That means more potential for character development and the furthering of their relationship. So far the interaction between them hasn’t gone the cliché route, so hopefully they’ll continue to stay away from that.

Either way, Episode 10 is usually when things start getting hopelessly dark for protagonists, so that’s about right and I’m eagerly awaiting how they’re going to get out of this.

Baffled Yuji

It’s almost time to take this horse out back and shoot it. It’s not that its legs are broken, it just seems to have forgotten how to use them. I so want to check the category box for “action” every time I write about this thing, until I realize that nothing has happened. And yes, I understand you’re going to get some filler since we’re pretty far in, but I think they’re setting things up for a run way huger than 24. We’re currently on what I hope is the tail end of a really insulting amount of filler. I’m almost wishing the action would just start, and do that Bleach/ Dragonball/ InuYasha thing where a single fight draws out for 8 episodes.

Almost.

Anyway. Let’s get going.

Wait, who’s baffled?

Yuji doesn’t seem baffled at all. He’s singularly determined to fuck shit up, and he’s being given the tools to do it. Margery Daw teaches him how to throw silver fireballs and turn the Blutsauger into a bookmark so he can carry it around with him.

Kazumi…. ah, who gives a shit.

When Yuji’s mom gets sick, Shana starts thinking that maybe Yuji’s not really ready to take on his weight of responsibility, leave town, or any of that nonsense that he’s got roaming through his head these days.

Shana seems to worry about Yuji’s mom far more than Kazumi, which I assume is some kind of value judgment? Either way, I’ll keep no secrets that I learned the meaning of “tsundere” from Shana, and this cemented the fact that they’ve killed off most of her redeeming qualities as a character.

And finally we get the new Tomogara — Zarovee the Collation Flux, who sounds like a copy machine malfunction but oddly enough seems to be able to duplicate himself so maybe that’s intentional. He sneaks up depresso-Yuji, who’s wandering around after kind of being told off by both girls.

What we’ve learned

Not a lot… not a lot.

Please, Please, Please

It’s not just a James Brown song, it’s me begging for things to move. There was the barest hint of development, and I hope they’re setting up the ball very carefully for a big swing. We’re down to the wire, and almost every other show of the season is behaving like it. Knowing this show, I won’t even try to worry about it until I turn it on and find a new OP playing, but a fight between Zarovee and Yuji seems promised in this OP. Next week? Maybe? Please? I’m hardly an action junkie, but like sugar in the cokehead’s stash, the filler is bringing me down.