My Season Winners, before yours
Premature Speculation, if you will (ew…)
Ha you assholes I beat you to it. I’m old, see, and that allows me to be judgmental. Actually, I’m not that old, but I’m prejudging anyway.
Best OP: The Tower of Druaga.
This was a hard one. Lots of great tunes and animation this time around. Kaiba’s ethereal opener with English lyrics shows you exactly what kind of beautiful and haunting 25 minutes are about to happen. To Love-Ru’s tantalizing but stylish OP turned out to be the best thing about the show every fucking week. Even the gay-ninja saga Nabari No Ou, which I don’t really care for, has a great song by a previously awful band (VELTPUNCH). But Druaga gives us clever credit placements, a jaunty ska-rock tune that turns dramatic toward the end, and most importantly, a question that we have to ask weekly: are we being faced with a an alternate reality situation in this series?
Best Music in general: Macross Frontier.
There is a two-part quiz to establish best anime music in a season.
- Is there a Macross series?
- Did Yoko Kanno do the music for any series?
If you can answer “yes” to either, you’re set (some of Macross 7’s butt-rock aside). We can answer “yes” to BOTH this season. Aren’t we fortunate bastards? Ranka’s “Aimo” is Yoko Kanno’s best tune since my favorite one, “Myung’s Theme (Voices)” from Macross Plus. But here’s the close runner-up, “Ninjin Loves You Yeah!”
Train Wreck of the Year: Geass R2.

I stopped blogging it, mostly because everyone else already was. But I still watch, usually open-mouthed. Time after time it leaves me in slack-jawed disbelief as the camera pans out to millions of Zeroes! Orange-kun comes back from the dead! LeDouche quotes Light Yagami! Tits flow from Sunrise’s pencils like a mighty Mississippi of mammaries! Underage heads of state with no tits at all convene, possibly panty-free, in a soundproof room in Zero’s giant truck with a fucking panda on the side being driven by CC and covered in fucking Cheese-kun window stickers! FUCK! Where does it end?? This quote from Derailed By Darry sums it up pretty well:
Code Geass R2 is genius on so many levels, just not on the classical “well-written” level.
Fantastic observation. I realized this week that there is nothing out there like it, and yes thank you jebus I’m grateful for that, but there is a bizarre brilliance in the over-the-top-ness.
By the way, mai waifu on Geass: “Oh, is it time for your stories?”
Biggest surprise: Tie! Daughter of 20 Faces and Kamen No Maid Guy.
20 Faces had potential from the get-go, being from Bones, but it was clear that early on their attention was focused mostly on Soul Eater. However, the series consistently played out so solidly that I find myself waiting for it more all week than any other. To top it off, the last episode was jam-packed with the kind of ballsy direction and stylish animation that are Bones hallmarks.
Maid Guy was a surprise simply because it turned out to not be shitty. Yes, the animation budget was probably fished out from between Madhouse’s couch cushions, but at least they don’t save money by having all the characters drink tea for 10 minutes per episode like some other Madhouse shows. Kogarashi is a previously-unseen mix of hilarious and frightening, and I will gladly watch every week to find out what crazy Maid Guy Power will be unveiled next.
Best First-Episode Experience: Soul Eater

Yes, it’s a shounen/action/talking-during-battles kind of show, but Bones aimed to prove early on that they could execute with style. I immediately re-watched the first episode because my head spun too fast to figure out what was going on the first time.
Voice actor of the season: Megumi Nakajima as Ranka Lee

Open auditions are apparently a very good idea. She out-acts most of the rest of the cast, and her tongue doesn’t sound nearly as thick as Sheryl’s on those Engrish song lyrics. Shin sums it up much more clever-style.
Best Shoujo: Toshokan Sensou
Dear Itazura Na Kiss, I still love you, and I think you embody your genre like nothing else. Unfortunately, a new character who is vulnerable and real but not quite so pathetic as the usual shoujo heroine has risen up, and she’s really tall! Plus, as a boy, I find all the guns to be exciting.
Dear Special A, Toshokan Sensou’s ensemble cast is far better than yours. Also, I never liked you.
The wiener
Drum roll…. OH SHIT Copping out. But unlike most people who don’t believe in superlatives (like me) I will pick the “best” show of the season. Just not until the end.
I’ll say this, though — it’ll probably start with a K, whatever it ends up being.





Yes, it has occurred to me that people are in fact watching Kure-nai, but it’s so good that everyone should be watching. This is a treat, a treasure. It’s an unexpected gem, and much like True Tears last season, it snuck up on me. It’s a show of contrasts. The bouncy poppy OP and ED conflict with the sober, eerie shamisen during the next episode previews. The ultra-cute interaction between Shinkurou and Murasaki (and their bizarre neighbors) contrasts with the ultraviolence that occasionally crops up, and the lighthearted nature of many episodes is the ultimate contrast with the seriousness of the plot. It looks like next episode will really bring that home as the two sides clash like they haven’t since early on.
Absolutely zero love for Real Drive, what’s up people? Is it because Stand Alone Complex is a little racist? Have we given up on Masumune Shirow forever? We’re Americans, we’re supposed to love Shirow no matter how much he hates us. Production IG has even thrown us an olive branch — a young girl lead character — and given us panty shots for peace offerings. I thought as western anime lovers we were supposed to be raised on this Gibson-esque cyberpunk shit.
Much like Real Drive, Shinsen seems to have given up subbing this in favor of stuff 8 other teams are already working on, but AniYoshi is still trucking, thankfully. And much like 20 Faces, this is a nice slice of retro adventure. It’s got a laid-back feel, and a casual romance element that never gets in the way of the fun. Plots move by incredibly fast, and sometimes with way-too-easy resolutions, but it doesn’t dampen the bright charm of the series.
I can’t say it enough, people. Kaiba is a monster. It seems to prompt a lot of people to analyze it, but for me it works largely on the emotional level.




