Shameful Otaku Secret!

I’ve heard that Santa often brings War in the Pocket to you /m/en out there, so here’s my penultimate (that is, uh, 11th) Moment of Anime 2009.

Yesterday I mentioned one of the going theories about Bakemonogatari: that either in Nisoisin’s original story or in the mind of Wackiyuki Shinbo, protagonist Ararararararagi became a parody and an indictment of the spineless nice-guy semi-lolicon tendencies of the viewer. It’s potent stuff; after all, we love to be talked to directly, don’t we? And most movies, books, and anime would just as soon preach at you or humor your worst qualities, so it’s almost refreshing to be sneakily made fun of.

But Bakemonogatari isn’t the first time people have thought about this. IKnight, despite claiming to reach no definite conclusion, ruined pretty much anyone’s ability to write about Gundam 0080: War In The Pocket with his breakdown of the typical “war sucks” standard that most Gundam (supposedly) carries. But despite the excellent case he makes that it’s not always as simple as that, what little Gundam I’ve seen and enjoyed is at its best when it’s making that point. War does suck, especially in a world where even the basic movement of the military devices creates huge collateral damage. And while 0080’s Al might have managed to float through a lot of serious events without grasping the full weight of that, one moment stopped him cold, and probably did the same for you.

I’m talking of course about the harrowing scene after Bernie and Chris’s battle, in which Al finally realizes who’s inside that mean old Feddie mobile suit — and what she’s done to his friend. Al’s temporary catatonia paired nicely with my own shock at the brutality of execution of that scene. It was coming since the moment Chris first entered the Gundam, but I just didn’t expect it to be so intense when it happened.

You can say what you want about war-machine fanatics making the Gundam “war sucks” experience a big ourobouros of irony, and you’d be right. But in moments like this, it’s still the king of hammering home its grim message.

Double Oh Nineteen hundred seventy-nine AD. The One Year War begins. Char Aznable, the Red Comet, meets the Federation’s ultimate weapon, the Gundam, for the first time. And White Base begins its long journey.

At least, that’s what happened in the animated world.

In the third dimension, something somewhat less earth-shattering happened: I was born.

Fast forward thirty years. Gundam celebrates its anniversary with a new series announcement, international Tomino appearances, and of course a giant life-size Gundam in Tokyo, while my birthday goes by without so much as an whining post.

I have, however, set out to celebrate my thirtieth year in a truly Gundam-tastic way by finally starting my journey into the grandaddy real robot franchise. I am beginning, appropriately, with the 0079 movies.

Fifty episodes for the series is a bit of a stretch for me these days, and besides — mechafetish and ghostlightning pointed me to the movies with their helpful Gateway Gundam Chooser®.

I’m partially through the second movie, but rather than keep waiting to post, I thought I’d get out my impressions of the first.

(more…)

Here goes the rest. Hard to top Mazinger, I know. At least for this old fart, but here goes. I’ve added a new portion to my thoughts, what the inevitable downfall of the series will be!

Basquash!

Pre-airing thoughts: I don’t like sports. Never have. To me the fact that I was always a scrawny dork who was never any good at them was the reason I ended up an anime fan to begin with. Eyeshield, Slam Dunk, Hajime No Ippo, none of these ever really held any interest for me (although I know Riex and Choujin shake their heads when I say that about Ippo). But Basquash! has something they don’t: Shoji Kawamori. Does that mean the basketball players all sing? Probably not, but they do ride mecha, so we’re halfway to something.

duckies

First episode thoughts: Wow. Kawamori or no, this was cool. Mr. Macross’s studio of choice for the past couple installments, Satelight, may have even upped the ante from their impressive start of Macross Frontier. The look actually reminds me of Manglobe’s sweaty, sunny setting of Michiko & Hatchin, but of course with a stylishly futuristic wardrobe department. Dan seems to be a decent Black Star-esque protagonist with a good seiyuu and a “[insert thing] Mask” alter ego. Then of course, there’s lots of really well done CG of the “bigfoot” mecha whose cockpits are all 50s hot-rod-looking cars. I guess that’s the rock and roll angle of Kawamori’s designs. All in all, a fun ride of an opening with lots of great action and sufficient boobs to hold visual interest. Everything moved so fast, it was actually hard to get a screencap.

Careful! Lest these things Gainax all over the cockpit

What will go wrong: Kawamori isn’t the story or script writer, although the whole idea and design is his. So he can’t blow the ending by forgetting to think one up until he’s writing the last episode. Satelight can, however, do what they must have done with Frontier. That is, they could animate the 5 most important episodes first and fill in the rest with whatever tiny amount of cash they haven’t blown. For every hyper-impressive visual tour de force like this one, let’s hope there aren’t three all-out shitfests to follow.

Eden of the East

Pre-airing thoughts: I can’t say as I had any. I didn’t know anything about this series other than it’d be animated by Production IG, and would have music by Kenji Kawai and… Oasis.

First episode thoughts: From the looks of it, Eden of the East is going to shape up to be a bit of a shoujo romance with a twist of intrigue, much like last year’s Library War. I don’t think I’m alone in saying that that series lacked in both Libraries and War, but the romantic aspect was really not too badly done. So far, my ability to believe everything in episode 1 was strongly tested, but I am always ready to put that aside in the name of setup as long as it doesn’t go too far. After all, the premise of armed librarians was pretty fucking hard to swallow too, but it turned out that didn’t matter.

George Washington's Phallus looms ominously over our Japanese protagonist. Coincidence? Or symbolism?

In the end, it barely mattered what I didn’t believe because the execution was staggering. Facial expressions and body language effortlessly pulled off without all that Lucky Star/A-1 pictures simplification of design. CG integrated near-seamlessly into the slick cel work, and the traced photo backgrounds didn’t put me off at all (except for the fact that I have to go to Dulles airport next week). The Oasis OP was marvelous — even though I’m not a fan, the slick Western rock added a level of polish that really helped the full experience — and the cut-paper stop-motion ending sequence even better. OH! Also, they hired English-speaking voice actors to do the American parts. Nice touch.

What will go wrong: There won’t be enough Eden, or East. Saki, who looks a little like Itazura Na Kiss’s Kotoko, will turn out to be just as pathetic. And strangers will give up their hard-earned pants without question when I flash my balls at them.

Saki

Pre-airing thoughts: There is a series on Crunchyroll. I pay for Crunchyroll. Maybe I should watch it.

This is right, isn't it?

First episode thoughts: Gonzo? Well, they can make it work when it counts, but they seem stretched pretty thin this season. Possible Yuri? OK, I’m listening. Loudmouthed fanged loli eating tacos? I dunno, I’m losing interest. Mah Jong? Whoops. Gone.

Screencap not available. Artist's rendition of Saki.

Also, already watching one show with a lead character named Saki.

What will go wrong: I will actually watch this. That would be a problem. I have better things to do. Like go to the taco truck down the street. It kind of pains me to think of what a taco would taste like in Japan, which is why no matter how large a weaboo I become in some parallel world, I will still never go there for any extended period of time.